Icy Sparks

The eponymous heroine of Gwyn Rubio’s Icy Sparks is only 10 years old the first time it happens. The sudden itching, the pressure squeezing her skull, and the “little invisible rubber bands” attached to her eyelids are all symptoms of Tourette’s syndrome. At this point, of course, Icy doesn’t yet have a name for these unsettling impulses. But whenever they become too much to resist, she runs down to her grandparents’ root cellar, and there she gives in, croaking, jerking, cursing, and popping her eyes. Nicknamed the “frog child” by her classmates, Icy soon becomes “a little girl who had to keep all of her compulsions inside.” Only a brief confinement at the Bluegrass State Hospital persuades her that there are actually children more “different” than she. As a first novel about growing up poor, orphaned, and prone to fits in a small Appalachian town, Icy Sparks tells a fascinating story. By the time the epilogue rolls around, Icy has prevailed over her disorder and become a “Children silent as stone sing for me. Children who cannot speak create music for me.” For readers familiar with this particular brand of coming-of-age novel–affliction fiction?–Icy’s triumph should come as no great surprise. That’s one problem. Another is Rubio’s tendency to lapse into overheated this is a novel in which the characters would sooner yell, pout, whine, moan, or sass a sentence than simply say it. But the real drawback to Icy Sparks is that some of the characters–especially the bad ones–are drawn with very broad strokes indeed, and the moral principles tend to be equally embrace your difference, none of us is alone, and so on. When Icy gets saved at a tent revival, even Jesus takes on the accents of a self-help “You must love yourself!” With insights like these, this is one Southern novel that’s more Wally Lamb than Harper Lee. –Mary Park