The Long Firm

“What’s breaking into a bank compared with founding one?” Bertolt Brecht’s provocative question opens Jake Arnott’s first novel The Long Firm and sets the scene for its memorable exploration of the London underworld at the beginning of the 1960s. Five very different characters tell their five very different stories about “Torture Gang Boss” Harry Starks. A man who “liked to break people” but also a “frightened little child” is how his lover and kept boy Terry recalls him; a “lower-class tearaway”, according to the Tory lord who frequents his erotic parties; a depressive with a diabolical mind, one who likes to “stage manage the fear”, in the eyes of his various criminal and starlet peers; a product of working-class subculture and a living critique of capitalism, concludes the radical young sociologist who teaches him in prison. Harry Starks is the beginning and end of The Long Firm , a compelling showman who embodies the brutal realism and impossible dreams at the heart of Arnott’s vision of London low life. The glamour and corruption of that life drive this story but Arnott manages to weave cliche into enigma, myth into inquiry, in a way that revitalises the well-worn images of the mad and the bad. As Starks would put it, keeping Brecht’s question before the readers’ eyes, “It’s all about the economy of power, Lenny”. –Vicky Lebeau